25
May
2014
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Wines of the Week: May 19-25

Everyday:  I’ve stumbled across some dandy domestic albariños in recent months (Abrente, Cambiata, Tangent), but Spain still rules the roost with this Crucesvarietal. Especially when they’re priced like the 2012 Senorio de Cruces Rias Baixas Albariño ($13), a refreshing, bright and juicy rendition. The citrus-dominated fruit turns plumper and plusher on the midpalate and finish, which is mouth-watering enough to make this a dandy dinner wine. Try seared scallops with pretty much any ol’ glaze, or grilled chicken with a lemon-herb marinade or even a barbecue sauce. A great soundtrack for savoring this sprightly, soothing white comes from the late, seriously great Cape Verdean singer known as the “Barefoot Diva,” Cesaria Evora.

Occasion: One benefit of cabernet franc’s never gaining merlot- or pinot-like popularity out west is thatKent it hasn’t been planted inplaces inhospitable to this marvelous grape. A site in Livermore spawns a fantastic rendition, the 2010 Steven Kent Ghielmatti Vineyard Livermore Valley Cabernet Franc ($50), whose mingling of earthy, herby and red fruit is pure perfection. Bonus points for the more-than-sufficient stuffing, depth and length. Burgers or meat loaf, grilled pork chops and roasted root vegetables are among the optimum accompaniments. Ditto the raw but pure singing on songwriting from the first (and still my favorite) album by Lucinda Williams.

 

22
May
2014
0

Linkin’ logs: 5-22-14

The Interwebs are well-equipped with, among other things, endless depictions of equipment. This and more in our latest sojourn to Linkin’ Memorial High:

Scarf• We start with a potential gift for, as the headline notes, the wino who has everything (except perhaps good taste): the flask scarf.

• So we know wine goes way back. But it might have been around even longer ago than we thought, according to this report.

• When it comes to promotional videos, no one can touch Jordan’s Lisa Mattson. Her team’s latest effort is a fantabulous tribute to ’80s music. Majot earworm alert.

• This is starting to remind me of all the ways we figured out to smoke pot in my college days, including the cardboard from a roll of toilet paper. Here’s the latest clever/wacky way to open a bottle of wine.

• There probably are easier ways to open a bottle of wine and pour a glass than this. But it is pretty cool.

• Finally, this T-shirt is on my way better half’s birf-day list:

Wine T-shirt

 

19
May
2014
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Wines of the Week: May 12-18

Everyday: It has been downright swell to see many New World vintners pulling away from the oaky/buttery style so prevalent at the turn of the century. OatleyThe 2013 Robert Oatley Margaret River Chardonnay ($17) is an exemplary effort in that vein, with deft layers of lushness and leanness and seriously tasty pear and Meyer lemon notes. The lovely textural byplay continues through the long finish. This is the rare chardonnay that would play beautifully with roast pork loin or chops, not to mention a fried-fish sandwich. Enjoy it with Laura Nyro’s soulful, splendid collaboration with LaBelle, “Gonna Take a Miracle.”

Occasion: The Mendoza malbec fandom marches on, and over the years, some wineries have figured out how to make Meschiniserious, robust wines with the grape, not just friendly quaffers. Case in point: The 2011 Famiglia Meschini Mendoza Malbec Gran Reserva ($25), which is nigh onto profound. Everything one would want in a malbec is there: ripe fruit, touches of spice, a bit of cocoa/chocolate. The weight teeters between medium and heavy, creating a hearty mouthfeel and robust finish. Skewers of tender beef and Vidalia onions cooked over a hot fire are made for this wine, but most any grilled meat will do. Along with another early-’70s classic, Santana’a “Abraxas.”

 

 

16
May
2014
0

Rollin’ on at Riverside

Judging at wine competitions is a great mix of work and fun, of grinding through some disappointing or discouraging flights and reveling in some swell ones. At the Riverside International Wine Competition, there’s an added bonus: getting to try varietals from all over the land, nortons and diamonds, Riversideauxerrois and traminettes and yes, even concords that didn’t go into making jelly.

With New York major domo Jim Trevise and Minnesota minor domo yours truly on board, it’s not surprising that while others were plowing through scores or merlots and chardonnays, our panel got primarily wines from east of the west coast.

And a generally delicious lot they were. Winemaking is improving almost exponentially in the heartland as well as the region we Minnesotans call “out east.” In fact, the most disappointing flight was albariños that almost certainly came from more traditional places.

Some notes, quotes and anecdotes from Riverside:

• A few judges start a day before the rest of us, and when we gathered the next day, poohbah Dan Berger noted that 9 percent of Tuesday’s wines had been corked, then posited that after a mid-2000s correction, the cork industry was slipping again in reliability. But our group encountered only a couple of corked wines (guessing many if not most of ours were under screwcap). And one was so lightly corked that two of us didn’t notice it and were prepared to give it a silver medal. Once we got a “clean” bottle, we gave it double gold (all four judges scored it gold). Side note: I still catch mostly the really corked ones, and sometimes am a bit embarrassed about that, so it was kinda sorta heartening that another expert didn’t catch it.

• Best quip of the event came when we got a small flight of pinotage. “It’s the Special Olympics,” bellowed Clark Smith. That would most assuredly have gotten a spit take had I been sampling at the time.

Clark Smith has forgotten tons more about wine over the years than I’ll ever know and certainly had the respect of the rest of the panel, who were seriously experienced judges. If Clark Smiththe other three of us didn’t care for a wine and he really liked it, we would revisit it, occasionally revising our assessment but usually only a little. All of us were willing to admit that we’re not infallible, which is a welcome trait at these competitions.

• Some edifying comments from Smith included two that concerned the same region: “Graciano is what makes Rioja work, gives the tempranillo some muscle” and “Tempranillo blanc could become the signature white grape of Rioja, and it was created by a complete accident.” My other favorite came as we were about to take on a flight of cabernets from Pas Robles: “These should be like a Tootsie Roll, with cocoa and orange peel.” Turns out those are two primary ingredients in Tootsie Rolls, and the Paso cabs did have that trait, which I never had noticed.

• I got to be the semi-expert on the flight of Minnesota red table wines, and all of us were wowed by one of them. We awarded it a double gold/best in class, and I was tasked with writing the tasting note: “Gorgeous nose of red berries and spice. The blend is brilliant with earth tones meshing beautifully with the red fruit and spot-on-tannins. Long finish with silky and earthy notes.” We asked our coordinator to get the grape components, and it turned out to be primarily marquette (56 percent) and frontenac (29 percent). We later learned that this gem was from Carlos Creek winery in Alexandria, Minn. Not surprisingly, Clark had an astute observation: “Marquette fills in the holes in frontenac. Everything frontenac is missing is in marquette.”

Krug• The party on Wednesday night was a hoot, with Clark dressing up as the Tin Man to fit “The Wizard of Oz” theme (despite his almost-striking resemblance to Bert Lahr’s Cowardly Lion) and a few folks bringing some wonderful old wines. And while a magnum of 1994 Stag’s Leap Fay Vineyard cab was gorgeous, a wine I liked even more was much older: 1966 Charles Krug Cabernet Sauvignon. It actually was older than a few of the judges, but seriously lively and nigh onto fresh. Have I mentioned that I love this job?

 

 

 

 

 

 

7
May
2014
0

Wines of the Week May 5-11

Everyday: Some of the malbecs out of Cahors are not for the folks who love the Argentinian renditions. But the 2012 Georges Vigouroux Gouleyant GouleyantCahors ($12) will please them mightily while still hewing to its Old World origins. Inky and hearty, it offers up an array of flavors, especially dark fruit (blackberries!) and spice, with smoky, briery undertones. The tannins roll between grippy and soft, and the mouthfeel is firm but round, the finish earthy and fruity. The last of the cool-weather stews are far from the only ideal matchup: Go for roasted or grilled fowl and older cheeses. And listen to some older Creedence or some newer Foo-flavored Fogerty (studio or live) while savoring this down and dirty delight.

Occasion: I suppose there might be a better white blend coming out of California than the 2010 Chimney Rock Elevage ElevageBlanc ($35), and if you know of one, I’d certainly love to hear about it. Layered with all manner of fruit, not to mention lush and lean textures, this blend of sauvignon blanc and sauvignon gris is delicious now and, with its satiny tropical notes and just-right heft, figures to be just as swell a few years hence. The harmony of the grapes and the fruit itself with the other elements is amazing. Any preparation of a white meat (seafood, chicken, pork) will sing with this magical blend. The equally magical crystalline harmonies of three stupendous singers named Dolly, Linda and Emmylou provide the perfect soundtrack.

4
May
2014
0

Wines of the Week: April 28-May 4

Weeknight:  Can’t imagine that anyone is more ready for a patio sipper than we Minnesotans, and happily a new one has entered my realm. The 2012 LesLe Jade Costieres de Pomerois Le Jade Picpoul de Pinet ($8) is a bit lusher than most picpouls but still delivers that bracing kick early and often, with the finish a layer of citrus/stone fruit and lovely acidity/minerality. Fruits of the sea, whether delivered in a brisk ceviche-like presentation or halibut with a buttery sauce, will sing with this white. Plop on the spritely, playful soundtrack to “Amelie” while quaffing this gem.

Occasion: Cabernets out of Washington just seem to get better and better. I can’t speak to previous vintages in this particular case, but the 2011 Mark RyanMark Ryan “Dead Horse” Cabernet Sauvignon ($52) is simple stellar, if hardly simple. Rich and robust, this deep, dark red boasts great currant and red-berry flavors and  great weight but also brings a silky sheen to the midplalate and finish. Beef fajitas, grilled Italian or Spanish sausages and minty lamb chops would be swell pairings, and check out the splendid new Aimee Mann-Ted Leo collaboration, the Both, as you savor this beauty.

 

1
May
2014
0

Linkin’ logs 5-1-14

It’s been an edifyin’ and entertainin’ stretch out on the information semi-superhighway of late, with smart ideas, wacky inventions and cool experiments among the treasures:

Old• My ever-intrepid friends at the Wine Company have been testing older wines − my invite clearly was mishandled in the mail − and come up with a seriously savvy post on how to buy and serve fermented grape juice of the venerable variety.

• I have to admit that I often find Camille Paglia an obnoxious bomb-thrower, but she nailed it in this column about lowering the drinking age.

• I have no idea what kind of bottle spawned this cork, but I like what these folks are doing with it.

• And finally, someone sent the photo below and asked me what to pair with it. The dish is bacon-wrapped onion rings − why anyone thought it needed a sauce, I have no idea − and my best pairing stab is a zin from Dry Creek Valley.

 

Bacon

 

29
Apr
2014
0

Cork this, Mr. Keller

I used to really really really want to eat at the French Laundry. Then a few years back, I got an opportunity to dine there, but it conflicted with an already planned family outing that was very important to me (and might have given me lifelong brownie points with the other participants — at least the ones who didn’t think I was certifiable).

In the ensuing years, my interest has waned. I love Thomas Keller’s cooking; his Ad Hoc is among my favorite Napa eateries. But meals that last five hours hold little appeal for me anymore, the fixed prices have skyrocketed, and I always have been turned off by the restaurant’s ludicrous reservation policy.

Now comes word that the Laundry and Keller’s New York restaurant, Per Se, are charging $150 corkage fees. That’s more than 99 percent of us are willing to pay for an actual bottle of wine.

What’s especially galling about this snotty arrogance is that the markups on the Laundry’s wine list are truly beyond obscene. A half-bottle of Patz & Hall Hyde Vineyard CopainChardonnay is $110, almost twice as much as a whole bottle goes for at the winery ($58). Copain’s delightful Tous Ensemble rosé is $70 at the Laundry; the average at Wine Searcher is $22. The 2000 Giuseppe Quintarelli Amarone della Valpolicella Classic is $825 at the Laundry and $444 at Wine Searcher.

I could go on, but you get the picture. You could throw a dart at the Laundry’s list and know that it will hit (a) a really good wine, and (b) an egregiously shameless (or shamelessly egregious) ripoff. Basically, and crudely, Mr. Keller has his customers by the short hairs. It’s completely legal larceny, and no array of doubtlessly wondrous dishes at the Laundry or Per Se would be able to wash the bad taste out of this mouth.

So none of Mr. Keller’s haut haught cuisine for me, thank you.

The decision admittedly is made easier by the fact that I can get amazing food for much less money and exponentially less hassle. I had indescribably delicious braised pork cheeks for lunch yesterday at the fantastic new restaurant Brasserie Zentral. The cost: $16. We lapped up an astounding array of delectable dishes recently at San Francisco’s State Bird Provisions, which last year was named the nation’s best new restaurant by Bon Appetit and at the James Beard Awards; the tab for five of us was less than what it costs one person to eat at the Laundry.

It reminds me of the approach that I generally take to wine purchases at the spendy end. Once something gets over $80 or so, I’m out. But that decision is made easier by the process, and the results of seeking out cheaper wines that are just as good.

DrewFor years, I bought Aubert, Williams-Selyem and Kosta-Browne, but they have continually jacked up prices to make the wines out of (my) reach. But I discovered Drew’s pinot noirs, which I find every bit as good as those three wineries’ offerings, and for a ton less money. You have to do some research and legwork, and find other enthusiasts who are seeking out the same kind of stuff, but you can end up with the same quality.

In the restaurant world, with so many fabulous chefs plying their skills in every city, that process is even easier. And yes, I’d rather eat four meals at Restaurant Alma or Herbsaint or Husk Nashville or Zuni Cafe than one at the Laundry, never mind the corkage.

The world is full of nuance, but my views on corkade fees are pretty black and white: Restaurants should waive corkage fees, one-for-one, on each bottle customers purchase. If a customer brings in a bottle (that’s not on the restaurant’s list) and buys one from the list, no corkage for that. Bring in two, buy two, same deal. If a customer calls in advance to clear it and brings in a bottle but doesn’t buy anything, a small corkage fee (maybe $15) is not unreasonable.

The rationale one most often hears from restaurateurs for outsized wine-list markups is that they have to make big margins on beverages because they don’t make any on food. Well, that’s their problem, and they shouldn’t make it wine’s problem; they are hating on wine, I say.

Charge more for the food, damnit! Otherwise, you’re asking customers who like wine/beer etc. to subsidize those who don’t.

Here endeth today’s rant.