20
Sep
2012
0

Linkin’ logs: Great views

Wine is an endless source of amusement in and of itself. But it also serves as fodder for artistic endeavors worth savoring. To wit:

• The always-hilarious folks at Funny or Die have come up with a primer for sampling our favorite beverage.

• On an only slightly more serious note, it turns out that hip-hop artists are interested in more than just bubbles and moscato, if this “promo” for Wine Country is any indication.

• And finally, two art forms find swell expression in this card:

19
Sep
2012
0

Wine Country gleanings

Some things I learned last week while visiting several wineries in Sonoma (hey, somebody’s gotta do it):

• That the “second labels” from really good vintners are better than many if not most of the “first labels.  I actually had observed this before, but was reminded of it when tasting County Line Sonoma Coast pinot noir, made by Radio Coteau’s Eric Sussman. Gorgeous red berry and savory elements and an elegant finish make this worth way more that its $25 tab. On my last trip to Wine Country, I had thoroughly enjoyed a pinot from Fogdog, the second label of Freestone. Both are first-rate bargains.

• That the reason you often see roses planted at the end of vineyard rows is not aesthetics. It turns out that rose bushes show the onset of mildew before grapevines do. So wineries use them as an early warning system so they can treat the vines. I still like the explanation allegedly offered by a tasting room wag: that the rose bushes indicate that those rows are turned into rosé.

• That two wineries with Minnesota connections have never made a wine that exceeded 14-percent alcohol. Jordan founder Tom Jordan got an economics degree at the University of Minnesota, whole Duxoup founder/vintner Andy Cutter (left, with wife/partner Deb) grew up in Anoka. I also learned from Andy, whom I have profiled in my day job, that there is a character named Bill Ward carving out quite a reputation in Anoka County. “I’m pretty sure you two are not related, given how you talk,” said the ever-quipping Cutter.

• That my theory that winemakers might enjoy concocting appellation blends more than making single-vineyard wines is, not to put too fine a point on it, bogus (a common pitfall of my theories). Turns out that they’re serving as mixmasters just as much with the latter. Both Merry Edwards and Jeff Stewart of Hartford Court said they use different barrel and fermenting treatments, among other practices, within single vineyards, then make the best possible blend and put some of the rest in their appellation bottlings. In both cases, I’ll take the admixtures of “discards” any ol’ day.

• That “Sideways” was more a barometer than a driving force for pinot noir sales, according to longtime producer Edwards. “It was helpful primarily to Central Coast people, who needed it,” Edwards said. “But if you look at restaurant statistics, [the popularity spike] was there. The quality was increasing, and it’s easy to drink. ‘Sideways’ didn’t make it happen. It was happening.”

17
Sep
2012
0

Pulled quotes

I just finished reading the marvelous “Wine & War” and am working up a review. But in the meantime, I found these quotations from the book too good not to share (plus it gave me an excuse to run a photo of the estimable Andre Simon):

“[Wine is] the best elixir for guaranteeing a long life that has ever been invented.  “” Leon Douarche, vice president of the French Winegrowers’ Association

“[Wine is] a good counselor, a true friend who neither bores nor irritates us. It does not send us to sleep, nor does it keep us awake “¦ it is always ready to cheer, to help, but not to bully us.  ““ Andre Simon (left), French wine authority

“The old and ill need wine. It’s an excellent food for them; it’s easily digested and a vital source of vitamins and minerals. 
“” Douarche

God made man ““
Frail as a bubble;
God made love ““
Love made trouble;
God made the vine ““
Was it a sin
That man made wine
To drown trouble in?
“” Anonymous

16
Sep
2012
0

Wines of the Week: Sept. 10-16

Everyday: It seems a bit counterintuitive to be sipping on monastic wine at a place called Willi’s Wine Bar, but I tend not to question such happenstance. All I cared about was that the Stift Gottweig Messwein Gruner Veltliner ($16) was delicious, exceedingly fresh on the nose and palate and finish. Next stop: mass at the Stift Göttweig monastery in Austria’s Kempstal region, where this crisp but robust white is the altar wine. Before then, I’ll see how beautifully its citrus, apple and white-pepper flavors play with rainbow trout or fried chicken, if not the pork belly potstickers and goat cheese fritters with which it paired so perfectly at Willi’s, my favorite restaurant in Sonoma County.

Occasion: I tend to slighty prefer pinot noirs from what I call the “real” Sonoma Coast “” from grapes grown within a few miles of the actual coast “” to those from the more ballyhooed Russian River Valley. They tend to be softer, longer and more balanced, with less cola and darker fruits. Exhibit A: the Hartford Court Land’s Edge Vineyards Pinot Noir 2009 ($45), sourced from two coastal vineyards north and south of Jenner. It’s replete with layers of lushness and leanness, lots of structure and some cocoa and spice on the stylish finish. Roasted chicken or winter squashes and salmon grilled on a cedar plank should make swell accompaniments.

14
Sep
2012
0

Profile: Mick Unti, Unti Vineyards

His last name, like those of so many fellow Dry Creek Valley vintners, ends in a vowel. But Mick Unti’s ardor for Italian grapes has much more to do with his palate than his bloodlines.

“Both my father and I are enthusiasts of wines from the Mediterranean,” Unti (left) said in his office at Unti Vineyards, “especially Italy and the South of France.”

That explains the focus of the winery that he and dad George founded in 1997: The Untis have a whopping 4.5 acres planted to sangiovese, and Mick said they will crush 25 tons of barbera this year, a quarter of their total crop. And this is smack dab in the middle of the Dry Creek Valley, known primarily as zinfandel country ““ but not for the Untis.

“It’s very difficult to make zinfandel here that has the type of acidity I like,” Mick said. “The barbera, we pick whenever we want and the acidity’s screaming. What we’ve seen by default is that the Italian and Rhone grape varieties can be grown in a variety of sites and do well. The Montepulciano and grenache, we planted everywhere. 

Of course every rule has an exception: “We planted dolcetto at the same time, and it sucks every year. 

The Montepulciano became a part of the portfolio almost a decade ago, “after Dad came back from Italy like someone had shot him up with verdicchio and Montepulciano.  It is bottled on its own ““ Mick calls the ’06 Montepulciano Unti’s best wine ever ““ and blended with the sangiovese to make a seriously tasty bottling called Segromigno (named after a town in Tuscany). The verdicchio is used in a sexy, superb blend called Cuvee Blanc.

Mick doesn’t care for either name ““ “Nobody can pronounce Segromigno, and Cuvee Blanc is not even grammatically correct, a horrible name” ““ but the wines are so popular that “we’re definitely stuck with them,” he said with a hearty laugh.

The Untis were uncowed by recent history, in which a ballyhooed “Cal-Ital” movement went belly up just over a decade ago. “Atlas Peak tried its best to ruin that movement single-handedly,” Mick said. “They made the grape version of a straight-to-DVD movie. 

No such worries now, especially with the way that Shelley Lindgren (left) at the restaurant A16 “has redirected the reputation of Italian wine in San Francisco over the course of the last few years.  Having U.S. versions of the wines turning out as delicious as the Untis’ doesn’t hurt.

Dynamic and biodynamic
I love all the Unti wines, but my favorite is probably the Benchland Syrah, from the Southern Rhone portion of their portfolio. They also make stellar grenache, thanks in part to the generosity of a California pioneer.

“John Alban supposedly smuggled in some grenache cuttings from Chateau Reyas,” Unti said. “He gave us beautiful stuff for almost nothing. We tasted the grenache and I told Dad, “˜this is really good. It’s got structure, acidity, everything we want.’ “

They had wanted some other Italian and Rhone grapes, but not all of them were available at California nurseries. “It would be a really great story to say, yeah we were chasing down all these grapes,” Mick said, “but the truth is, what we ended up with is a hybrid of what we really think will do well and what’s available. 

All of the Untis’ estate grapes are growing in vineyards that started being geared toward biodynamic farming in 2004. Here’s Mick on how that evolved:

“We drink mostly European wines, and we noticed that more and more producers in France were looking at biodynamics. In the 1970s, Chapoutier was making wines that were trés average, and that was from some really good vineyard sites. And then Michel [Chapoutier, left] took over and started converting the sites to biodynamic, and those wines were hitting some chords within us that we liked.

“So we started talking about “˜how do we get the most out of what’s going on here?’ We wanted to at least see. I had seen people have success in Europe who were risking a lot. [Biodynamic progenitor] Rudolf Steiner (left) wasn’t even intending to have this apply to grapevines, but it did. So for us, the worst that could happen is we would have the same quality and have spent a lot of work time on it.

“We’re still learning. It forces you to trust your senses a lot more, which then gives you a chance to look at more in the vineyard. It opens your mind to think about why you’re always using the same sanitizing agent, things like that. 

“If you taste the 2008 grenache, I can tell you seven reasons it tastes the way it does, and then get to biodynamic. It’s over time that the soil gets better. We learned a lot about soil composition and paying attention to what the vines looked like. These vines seem to be vigorous all the time. 

It’s no surprise that Mick Unti was a quick study on the biodynamic front. He’s the same guy who, like his father, made a career switch from retail to wine and dove right in, brain-first.

“Once I got the wine bug, I found myself reading on a nightly basis,” he said. “My ex-wife used to joke about how I had a pile of wine publications under the bed instead of Playboys. 

7
Sep
2012
0

John Martini, carving Anthony Road’s path

How much has the world changed during John Martini’s nearly four decades in the wine biz?

“My son Peter is the vineyard manager,” said Martini, owner of New York’s Anthony Road winery. “When he was growing up, you couldn’t even get him to change a hubcap. Now there are no hubcaps. 

Pretty much everything has evolved mightily since John and Ann Martini planted their first grapes in the Finger Lakes region. John himself has added several chapeaus to what he still considers his primary vocation, farming. “I’m the sales guy, the ambassador, the bill payer. 

As for Peter: “He went to Clarkson and majored in beer,” John Martini said. “When he got out of college, he had all the answers, and I knew he was wrong. Now he’s right about half the time, but he’s a smart kid. 

An even bigger evolution has taken place on his home turf. In 1973, New York state had 18 wineries, and most of the grapes were French-American hybrids sold to Taylor to make native port and sherry. “After Coke bought Taylor, we started watching the market disappear, so we had to get out or go deep. So, in 1990 we started to grow vitis vinifera [European grapes]. 

Foremost among them, then and now: riesling, followed by (in no particular order) pinot noir, pinot gris, cabernet franc, lemberger, gewürztraminer, merlot and vignoles. They’ve about given up on cabernet sauvignon. “We took it out,” Martini said. “You could get it right two years in 10. Cabernet franc does better.

As for riesling, “I don’t see anything on the horizon that will take its place. We’re going to learn how to grow it better; 15 years ago we were worried that it didn’t taste like it should. Slowly we realized ‘let’s let the grapes shape the wine.’

“Just as Oregon has been riding the pinot noir horse, we’re gonna ride the riesling horse. 

That’s not the only reason that a dozen years ago, Martini hired a German as his winemaker, even if it is a good reason.

“Johannes Reinhardt’s family had been making wine since 1438. It’s hard to get a-hold of that kind of experience,” Martini said. “Johannes likes to experiment, and I support that. In 2009 we did our first dry yeast fermentation. 

The wines are quite tasty, especially the herby but juicy and refreshing Cab Franc 54%-Lemberger 46% and the clean, focused Dry Riesling. Martini said Reinhardt “really likes the potential of the vignoles,” a grape that generally produces a floral, slightly sweet but crisp wine.

While Martini enjoys the farming (he sells some of his grapes, including 20 tons a year to a Brooklyn winery), he seems mighty comfortable doing that ambassador thing, for his winery in particular and our favorite beverage in general.

*With wine, women get more beautiful, men get more handsome, and everyone gets smarter,” he said. “And it can’t just be the alcohol. It has to be the association with friends and family. Look at the French and the Italians. They’re not exactly known for making war.”

6
Sep
2012
0

Wines of the Week: Sept. 3-9

Everyday: Paul Dolan has long been recognized as a leading light in the sustainable/organic realm. He also makes some damn fine wine. The Paul Dolan Potter Valley Mendocino Sauvignon Blanc ($18) is a flat-out delicious amalgam of key lime, kiwi and much more, with a lovely lean edge leavening the fruit all the way through a seriously refreshing finish. It’s fun to smell and fun to drink, but with nice complexity. There’s enough tropical fruit here to play off medium-spicy Indian or Thai food, and an herb-infused roast pork would provide swell accompaniment as well.

Occasion: I have heard for years about how great Austrian rieslings could be, but never experienced it. Until last night, when I had the great good fortune to be treated to the Familie Saahs Nikolaihof Steiner Hund Reserve Riesling ($70). “Holy Red Foley” was all I could say. Power and purity, liveliness and lift, plus structure out the yin yang. I can almost still taste the extraordinary finish. You can have your California cult cabs; I’ll take this dynamic white. I’m sure there are any number of dishes with which it would shine, as the best rieslings do. But the next time I’m fortunate enough to have one, I’m going the savor-by-itself route.

4
Sep
2012
0

Love, and how wine can play into it

One of the wonders of wine is that it can be so expressive.

Turns out that the packaging can be, too “” especially when it comes to love and other relations. For instance, here’s a great representation of what we are aiming for (and I have been blessed enough to have for nigh onto two decades now):

 

 

 

 

 

 

 

 

 

 

But on the road to such bliss, there are always a few potholes and detours. And when they arise, wine is not necessarily the answer:

 

2
Sep
2012
0

Wines of the Week: Aug. 27-Sept. 2

Everyday: Ripe fresh fruit and just-right acidity are an unusual combination to find in red wines, especially for just $15. Well, say hello to the Chateau Coupe Roses “La Bastide” Minervois 10, which boasts blueberry and dried-herb flavors and a touch of spice at the end. September is a great time for medium-bodied reds like this blend of carignan, grenache and syrah. And it almost should have a chicken on the label, since virtually every preparation of fine de-feathered fowl will play well with “Le Bastide.” As will any dish festooned with olives.

Occasion: When it comes to reds, Piedmont is all about the “B’s.” But unlike Barolo and Barbaresco (regions), barbera is a great, and I can’t imagine that it finds any better expression than the Giacomo Conterno Barbera d’Alba ($43). Thick with gorgeous blue and black fruit, it’s juicy but dense, with a long and lovely, dry finish. Decanting is advised, to help the “hotness” burn off and bring out the coffee and chocolate elements. Big but balanced, this rich red plays well with hearty dishes of all kinds, especially if there are some seasonal mushrooms involved.