10
Jun
2012
0

Hodgins and FEL, a natural fit

A decade ago, Ryan Hodgins headed west in a Volvo station wagon “with the bumper about 2 inches off the ground. A lot of folks in Minneapolis thought I was crazy.”

Like a fox, it turns out. Now Hodgins is the chief winemaker at one of Mendocino’s top houses, FEL Wines, and he and wife Molly have their own label, M. Autumn.

At the M. Autumn website Molly is designated “Mama/Grapes” and Ryan as “Papa/Wines,” but this Portland native (at left) is a vineyard nut, too, having served as viticulturalist at the iconic Hanzell winery, where he worked with America’s oldest pinot noir wines. (Molly is viticultrualist at Oregon’s Chehelam.)

“I’ve always believed that site trumps clone,” Hodgins said during a recent Twin Cities visit. “I’m less a believer in soil and more in microclimate. 

I asked him something I always try to get from vintners: What is the most important part of a winemaker’s job? “It’s being in the vineyard,” he quickly answered, “knowing your grapes and having the pulse of what’s going on “My time is better spent in the vineyard. ”

That’s especially true when a guy has a chance to work in a vineyard such as Savoy, one of the few truly outstanding and distinctive sites in the country. Cliff Lede bought Breggo (now FEL) in 2009 and recently also closed a deal on Savoy. This dual ownership, Hudgins said, “has given me the ability to never compromise on quality.”

That includes making sure only stellar wineries — Radio Coteau, Littorai, Barnett, Peay, Roessler — end up with “Savoy Vineyard” on their labels.

But FEL’s focus is more diverse than its superb pinot noir and chardonnay from Savoy. Hodgins is particularly enamored with “the Alsatian whites that do really well” in the Anderson Valley.

Robert Parker called Breggo’s flagship Wiley Vineyard Pinot Gris “the finest in the New World,” and Hodgins is fascinated with mastering gewürztraminer.

“It’s really touchy because unlike any other grape I work, it’s the most ready to lose its acid,” he said, “so we pick early, at 22 brix. It goes from a weird yellow to pink as soon as we start picking.”

That’s a far cry from knocking around Minneapolis, although Hodgins said that if he had stayed here, he might have followed a similar path: “I probably would have made beer.”

As it turns out, a lot of like-minded folks have turned the Twin Cities into a craft-beer-making Mecca. So it’s probably best that he’s making superb wines with a sense of place, even if that place is near a hamlet called Boonville, which he calls “the most appropriately named town in the world. “ Hodgins is clearly right at home in the vineyards there.

The wines:
• Breggo Anderson Valley Gewürztraminer 2009 ($25): not as aromatic as most but fruit soars on the palate, harmonious and long.
• Breggo Anderson Valley Pinot Gris 2010 ($25): juicy but firm and focused, tangerine notes, clean finish.
• Breggo Ferrington Vineyard Pinot Noir 2010 ($55): smoky dark berries, nice lift in midpalate, elegant finish.

7
Jun
2012
0

A sweet and salty ‘Kiss’

I have a new favorite wine movie.

I was sure my way better half and I had seen “French Kiss” before, but while soaking it in last night, we kept on saying, “none of this seems familiar.” Finally we gave up trying to “recognize” it and succumbed to its wit, wisdom and beauty (the people and the places).

I had come across it while researching an upcoming post on great (and not-so-great) films with wine themes or mere mentions. As I found movies beyond the obvious ones, or those (I thought) I hadn’t seen in a while, I started moving them atop the Netflix list.

The first stab was a disaster: “The Saint,” which we had seen and somehow remembered rather enjoying. If we had ever been on crack, I could say “we must have been on crack when we saw it.” It’s a true abomination, with Val Kilmer douching his way through a performance that makes it clear why his career went in the toilet, ruining every scene up to the moment we hit “eject” 41 minutes in, just after the Chateau Latour showed up.

With confidence in our recall powers ebbing, we plowed forward with “French Kiss.” After a rather annoying opening with Meg Ryan way over-vamping, this rom-com held us in its thrall throughout. Kevin Kline was brilliant, putting on his best performance (alongside “A Fish Called Wanda”) and actually nailing a seamless French accent. After the early stumble, Ryan was at her most endearing.

The wine theme is tangential most of the way, with a smuggled vine as a prop setting up all manner of shenanigans; no reason to spoil matters by delving into later vinous plot points. Ryan and Kline’s timing and chemistry are spot-on, while Timothy Hutton and Jean Reno nail their roles as well.

The settings (Paris, Nice and southern France’s countryside) are lovingly filmed, and the music, from punkish Les Negresses Vertes to Louis Armstrong warbling “La Vie En Rose,” is sublime. The sparkling, often biting dialogue includes a scene, later replicated in “Sideways,” in which Ryan describes a wine but really is describing herself, plus this wonderful assessment from Kline’s character, Luc:

“Wine is like people. The wine takes all the influences in life all around it, it absorbs them and it gets its personality.”

As in his previous masterpieces “The Big Chill” and “Silverado,” director Lawrence Kasdan deftly transforms viewers to another place; it’s utterly baffling (and maddening) that he has helmed only three films since this 1995 gem.

If you haven’t seen it, or maybe even if you “think” you have, “French Kiss” is well worth checking out.

6
Jun
2012
0

Write on

A few worldly wise, or wiseacre, wine nuggets from writers past:

• “Excess on occasion is exhilarating. It prevents moderation from acquiring the deadening effect of a habit.” “” W. Somerset Maugham, English novelist/playwright

• “When you drank [wine], you felt as if you were in communion with the blood of the earth itself.  “” Nikos Kazantzakis, Greek philosopher/writer (left)

• “If food is the body of good living, wine is its soul.  “” Clifton Fadiman, U.S. writer/critic

• “The juice of the grape is the liquid quintessence of concentrated sunbeams.  “” Thomas Love Peacock, English poet/novelist

• “Who loves not wine, women, and song, remains a fool his whole life long!” “” Johann Heinrich Voss, German poet/translator

5
Jun
2012
0

Linkin’ logs 6-5-12

They broke the mold when they made the late Sen. Ted Stevens, and one of my favorite quotes from the ol’ curmudgeon was when he described the Internet thusly: “It’s not a truck. It’s a series of tubes.” So let’s go tubin’:

• Wine can make anyone, sometimes even yours truly, feel sexy. So the only surprise about Dr. Ruth releasing her own brand of wines is that it took so long.

• One of the great offshoots of the “natural wine” movement is that it has put the kibosh to the notion that white wines need to be crystal clear. Pax Mahle’s Wind Gap Trousseau Gris, for example, looks like dishwater and tastes like nectar of the deities. So I thoroughly enjoyed this refreshing look at “hazy wines” by the redoubtable Charles Olken.

• I’m a big believer in eschewing fancy-schmancey descriptors such as “pencil shavings” and “Kaffir lime” in assessing wines. So kudos to this approach, in which songs by several of my favorite jazz musicians are used to peg offerings from one of my favorite wineries.

• Last but far from least, I always laugh out loud while reading the Ron Washam’s wickedly witty posts, but this one about a Napa auction forced me to quickly abandon my morning caffeine, lest I shatter the world spit-take record.

3
Jun
2012
0

Wines of the Week: May 28-June 3

Everyday: Until the end of World War I, the Alto Adige region was part of Austria, and many folks there still speak German. So it’s no surprise that Hessian grapes find favor there. The Alois Lageder Muller Thurgau ($18) is a far cry from those spectacularly treacly Liebrfraumilches made with that grape back in the day, with fresh, ripe melony fruit and layers of minerally goodness washing over the palate. It even smells like it came from an Alpine meadow before the green-apple and sweetish citrus notes kick in. The finish is clean and spicy. Try it with lobster, grilled chicken and/or summer veggies, and chicken or cheese enchiladas.

Occasion: The red blends called Super Tuscans can be rich, profound delights but tend to be wallet-whompers. A more than reasonable domestic facsimile for $30 or less is the Trentadue Cuvee La Storia, a bright but intense blend of sangiovese, merlot, cabernet sauvignon and montepulciano. An array of red fruits, light and dark, roll through with wonderful undercurrents of earthiness and acidity. Those elements plus all that sangiovese make this a very versatile dinnertime wine, either during grilling or roasting/braising season. Or just with your favorite pizza.

2
Jun
2012
0

Daryl Groom, the real deal

Daryl Groom seems almost too good to be true.

Never mind the winemaking, the otherworldly Penfolds Grange Hermitages he crafted, the stratospheric improvement in Geyser Peak’s wines during his time there, the stellar Groom Wines he is crafting Down Under. Never mind his being named winemaker of the year by the Quarterly Review of Wines, San Francisco Chronicle et al.

No, it’s his personality, outsized but accessible, warm and welcoming, that almost strain credulity. Spending time with Groom is a little like seeing George Clooney effortlessly charm and disarm an audience and wondering “Can he really be that nice?”

In Groom’s case, yes, by all accounts. And his prime focus right now says a lot about his good-hearted nature: Since his son Daryl underwent two heart surgeries, he and Daryl have collaborated on the tasty blend Colby Red, and are nearing their goal of having $250,000 of the sales proceeds go to heart-related charities (2011’s donations are here.)

Meanwhile, Colby himself “is doing awesome,” his dad said. “His health is great, and he is growing like crazy. You would not know this is the same young man that we saw in a very fragile, frail state only five years ago when he underwent his back-to-back open-heart surgeries.

“As parents we have particularly loved watching how much the Colby Red Wine project has helped Colby mature and grow in confidence. Colby attends many charity heart functions across the USA, where he gets on stage in front of up to 1,000 people and now competently tells his story. His opening line is ‘I am happy to be here and I don’t just mean here on stage I mean alive.’ “

The project started small “” “we set out to make two barrels of wine and maybe raise $500 for charity” “” but then a national distribution deal with Walgreen’s and a “The Today Show” feature on the Grooms’ efforts sent production of the red blend skyrocketing.

A major reason Groom had time to devote to this endeavor was that he had gotten his Aussie winery running smoothly. Marschall Groom Cellars focuses on just three varietals (sauvignon blanc, shiraz and zinfandel). Perhaps more importantly, “We grow all of our own fruit and we have owned our vineyards, which we planted and have managed ourselves, for 15 years. 

David Marschall, Groom’s brother-in-law, is vineyard manager, and “my great winemaker friend Natasha Mooney, who made the much sought after E&E Black pepper wines, carefully looks after my wines in tank and barrel when I can’t be there,” Groom said.

Not surprisingly, the ebullient Groom expects the Australian wine industry to “be rediscovered by the trade and the consumer. I think the rebound will come with wines in the plus-$15 category rather than the mass-appeal wines the consumer used to know well. In this price category the consumer will discover some great artisan winemakers, rather than cookie-cutter wines. Wines at this price also start to offer regional identities.

“Australian winemakers are also moving past the [Robert] Parker big-alcohol, jammy type wines and going back to what they do best and what tastes best: balanced wines offering great fruit and complexity. Australians are battlers by nature and will always find a way to come out on top. 

But residence-wise, Grooms is now solidly entrenched in California. And it goes beyond the well-duh rationale of being able to live in a place like Healdsburg (left). He was senior red winemaker at Penfolds in 1989 when his bosses purchased a half-interest in Geyser Peak and asked him to spend a few years resuscitating the winery, promising him his old job back if he decided to return. I’ll let him pick up the story.

“In July of 1989, with a 1-year-old daughter and my wife 7 months pregnant with our second, we headed off to do my second harvest of that year. “My first daughter was born in the middle of the 1988 harvest in Australia and my wife said never again would she have a baby in the middle of harvest. So our 2nd child was due in September, arriving right in the middle of my first Californian harvest.

“If you recall the 1989 harvest is often referred to by Californian winemakers as the “˜harvest from hell’ because of the very wet weather. Halfway through I had wondered if I had made the right choice and wondered if all harvests were like this in California. In 1992, due to Penfolds’ parent company going bankrupt, Geyser Peak was sold back to the other 50-percent owners, the Trione family.

“I had my bags packed ready to return to my previous winemaking job at Penfolds. It was January 2004, and I had just flown back into the USA after being in Australia to make arrangements to return. At the airport I picked up a copy of the L.A. Times and saw that Dan Berger had just named me Winemaker of the Year.

“At that point Henry Trione asked if I would consider resigning from Penfolds and staying on with them. Knowing that my best wines were still in barrel and with Dan’s endorsement, I simply found I could not leave my new wines. Plus we loved living in Sonoma County. I am still living the dream in beautiful Healdsburg, California. 

As a result of that decision, some great juice with Groom’s imprimatur is being produced on both sides of the Pacific. And on the domestic side, it’s for a seriously cool cause.

29
May
2012
0

Burgundy in the morning

Not many trade tastings are held at 9 a.m.. But I would have gotten up in time for a 5 a.m. sampling of the 2010 vintage from Bouchard Pere et Fils and William Fevre.

And what a vintage. “The 2009s were more ripe and opulent in structure,” said Morgan Delacloche, export manager for Henriot, the French conglomerate that owns those wineries. “The 2010s had more finesse. We used less oak than usual.  A warm-weather vintage, one of three in the last decade (with 2003 and 2011) where picking began in August, the 2010s showed a lot of cut and tension but also plenty of fruit and savory notes (highlights below).

And Delacloche proved an entertaining and edifying host. Among the other tidbits I gleaned while sipping the mid-morning away:

• There is actually a village called Chardonnay in Burgundy’s sub-region Saône-et-Loire.

• Pommard is “counterfeited a lot,” perhaps more than any Burgundian appellation

• Le Corton is the only grand cru in the Côte de Beaune.

• “The most precious thing for a winemaker is a one-year-old barrel “¦ Fevre is a retirement home for Bouchard barrels. We ferment 50 percent in used barrels, 50 percent steel, then all in tanks. 

As for the wines, the Bouchard Chevalier Montrachet tasted like, well, what a $300 wine should taste like, light and dark, rich but delicate, with harmony and tension, just about endless. Andmy favorite Bouchard red, the “L’Enfant Jésus,” did not disappoint, with that silky-earthy thing, great complexity and a spectacular finish; if a $100 wine can be called an absolute steal, this is it.

A similar value at about a third the price was the Fevre Montmains Chablis ($38), absurdly fresh and surprisingly smooth for that region. Finally the Fevre Les Clos ($100) was the best young Chablis I can remember tasting, with equally big minerality and fruit, enticing pear elements and another boundless finish.

All in all, 2010 is a “be careful what you wish for” vintage for those of us who like our Burgundy both earthy and refined, with way more great wines than most any of us can afford.

27
May
2012
0

Linkin’ logs 5-27-12

Spanning the Web to bring you the constant variety of vinous news:

• Most of us have had our share of vinaigrettes and sauces made with mediocre balsamic vinegar, so this article extolling red-wine vinegar really resonates. I’ve always wanted to make my own, and there’s no shortage of raw material: I get a buttload of samples and have to poor a ton of well-made wine down the drain, lest my liver shrivel up and die. So leave it to Minnesota’s own Cindy Pawlcyn (Napa stalwarts Mustards Grill, Cindy’s Backstreet Kitchen) to provide a simple, straightforward primer on making red-wine vinegar.

• One of the most interesting wine people I’ve encountered of late is importer Peter Weygandt. Alas, I was able to spend only a brief amount of time with him, but the hardest-working person in the blog business, David White, has posted a four-part interview with Weygandt on his Terroirist site.

• The estimable Eris Asimov has written not one but two incisive columns that challenged conventional wisdom around vin rouge: one on its affinity with cheese and another on how splendidly suited many reds are for summer.